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Pontormo, Jacopo
Madonna and Child with St. Joseph and Saint John the Baptist
1521-22
Oil on canvas transferred from wood
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Pontormo, Jacopo
Madonna and Child with Two Saints
1522
Oil on wood, 72 x 60 cm
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Pontormo, Jacopo
Christ before Pilate
1523-25
Fresco, 300 x 290 cm
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Pontormo, Jacopo
Madonna and Child with St Anne and Other Saints
c. 1529
Oil on wood, 228 x 176 cm
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Pontormo, Jacopo
Halberdier
1530s
Oil on canvas, 92 x 72 cm
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Pontormo, Jacopo
Martyrdom of St Maurice and the Theban Legion
c. 1531
Oil on wood, 65 x 73 cm
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Pontormo, Jacopo
St Luke
c. 1525
Oil on wood
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Pontormo, Jacopo
Visitation
mk83
c.1528-1529
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Pontormo, Jacopo
Deposition
mk83
c.1525
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Pontormo, Jacopo
Deposition
mk156
1525-28
Oil on panel
313x192cm
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Pontormo, Jacopo
The Visitacion
mk166
in the middle of the century XVI Painting Church of San Miguel Carmignano
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Pontormo, Jacopo
Kicking Player
Drawing Galleria degli Uffizi
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Pontormo, Jacopo
Two Nudes Compared
Two Nudes Compared
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Pontormo, Jacopo
Hermaphrodite Figure
1538-43
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Pontormo, Jacopo
Group of the Dead
1546-56
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Pontormo, Jacopo
Christ the Judge with the Creation of Eve
1546-56
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Pontormo, Jacopo
Adam and Eve at Work
1546-56
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Pontormo, Jacopo
Moses Receiving the Tables
1546-56
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Pontormo, Jacopo
Vertumnus and Pomona
461 x 990 cm
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Pontormo, Jacopo
Portrait of a Lady in Red
1532
Oil on wood,
89,7 x 70,5 cm
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| Pontormo, Jacopo
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b Pontormo, nr Empoli, 26 May 1494; d Florence, 31 Dec 1556).
Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter. His highly personal style was much influenced by Michelangelo
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